
Yes, there is a relationship between my imagery and graffitti. The original meaning of the root word for graffitto referred to inscribed marks, which I frequently use. My work is more in line with pre-spray paint, or as we learn to not use so many flourocarbons, post-industrial graffitti. All those signs and marks scratched and drawn onto walls in the spur of the moment. The residual of signs covering our walls, buildings, and streets that need no industrially advanced technology or tools to make. Many of the works on paper have marks literally lifted off the alley walls. But I use the other usual sources as well: the drawings of children and the marginalized, impromtu remains of fleeting moments, left behind with the visual detritus of the damned.